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Scott Weinberg

Philadelphia - http://www.rottentomatoes.com/author-452/

So single-mindedly addicted to movies that he's always afraid of an intervention breaking out. Especially horror movies.

Brad Pitt Prepares to Enter the 'Dark Void'

Filed under: Action, Horror, Sci-Fi & Fantasy, Games and Game Movies

A guy like Brad Pitt can do anything he likes. He's handsome, he's talented, he's rich, he's funny and outspoken ... and apparently he gets to play sci-fi-action-type video games long before the rest of us. (Bastard!) Variety reports that Mr. Pitt and his Plan B production company have snagged the rights to an upcoming Capcom game called Dark Void. Their report indicates that the game is about "a pilot who crash lands in the Bermuda Triangle following a routine mission and wakes up to find himself in an alternate world."

You can learn more about Dark Void at its Wikipedia page. For example, I just learned that the awesome Bear McCreary is doing the music for the game. (I say keep that guy around for the movie version.) You can also see a bunch of nifty Dark Void artwork over at Capcom's blog. Could this be the beginning of a swanky new action franchise for Brad Pitt? I say the guy has earned one by now.

More information on this project as it becomes available. At this point I just want to check this game out. It looks pretty cool. (Game trailer after the jump!)

Free Flick of the Day: American Pop

Filed under: Animation, Comedy, Drama

The early '80s were an interesting time for controversial artist and animator Ralph Bakshi. His 1970s were filled with incendiary offerings like Heavy Traffic, Coonskin, Wizards, Fritz the Cat, and his (truncated) adaptation of Lord of the Rings. But once the 1980s rolled around, Mr. Bakshi was a little more sedate -- and absolutely intent on furthering the art of feature-length animation. The often misunderstood Bakshi would turn out Hey Good Lookin' in 1982 and collaborate with the legendary Frank Frazetta on 1983's Fire and Ice ... but I say the filmmaker's best work was his follow-up to the Lord of the Rings misstep...

It's called American Pop and it strives to tell the story of American music over the course of four generations, from an immigrant who specializes in vaudeville to a modern-day rock star. (Well, modern for 1981.) Arguably Mr. Bakshi's most sincere film, American Pop often feels like the Rolling Stone version of The Godfather Part 2 ... and I don't think that was an accident. Backed by an amazing soundtrack and (of course) some dazzlingly offbeat animation, American Pop is our free flick of the day. You can enjoy this (decidedly R-rated) animated feature right here at Slash Control. And let me know what you thought of it!

Here's Why Roger Corman Deserves That Honorary Oscar

Filed under: Fan Rant



In 1939 the Academy gave an honorary Oscar to Edgar Bergen for creating a funny puppet. Some people may have thought that was silly. They also may have found it silly that a strange little "cartoon" called Snow White and the Seven Dwarfs earned itself an honorary Oscar. The legendary Bob Hope was given a fistful of honorary Oscars over the course of his amazing career ... and I don't remember anyone calling Bob Hope a brilliant actor or influential filmmaker.

In other words, these "honorary" awards that are handed out by the Academy of Motion Pictures Arts and Sciences (AMPAS) can be given for any old reason they feel like -- and I for one am thrilled that they've decided to give one to Roger Corman this year. My illustrious colleague Eric Snider clearly doesn't feel the same way, and I'm here to tell Eric he's dead wrong. Wonderfully funny and a snappy dresser, sure, but on this position ... dead wrong.

One day George Lucas will receive a similar award from the Academy. At that time you'll have film fans who say "Absolutely. For just the technical advances that he and his colleagues have created, and for his massive influence on modern-day film exhibition, he's certainly deserving of an Oscar spotlight." You'll also have film fans who say "The director of Star Wars, THX-1138, American Graffiti and The Phantom Menace? Really? The guy who produced Radioland Murders and Howard the Duck? I don't believe it! Typical Hollywood politics!"

Overhype vs. Backlash: Which is Lamer?

Filed under: Fan Rant

Anyone who covers a film festival has dealt with it at one point or another. (More likely they deal with it several times a year.) You go to Sundance, to SXSW, to Toronto, etc., and see a film you really like. At this point the movie is just one of 250 at the festival, although maybe it has some "big names" or something to it. A few other writers end up agreeing with you that the film is quite good, and then the audiences have their say ... and mostly everyone is in agreement: good movie! And then ... it happens: Not just a handful of contrary-yet-insightful opinions, but a full-blown backlash.

"Dude, I just read your rave on Juno. You overhyped it! It freaking sucks!" --or-- "Martyrs isn't so great. The horror guys always over-praise the stuff they see early." --or-- "Did all the Sundance critics get together and just blindly pick a movie to rave over?" --- and stuff much nastier than that. I was one of the first film critics to see Juno, which at Toronto was just another comedy with a cool cast, until everyone saw it, that is. Then it was the darling of the festival, and I was thrilled to play along. Because I sincerely adore that flick. So did I contribute to the "overhype" on Juno? What about Waitress? I fell in love with that flick at Sundance as well, it came and went without finding a massive audience, and nobody accused me of overhyping the movie.

Joe Wright to Tackle Action With 'Hanna'

Filed under: Action, Focus Features

The director of Atonement, The Soloist, and Pride & Prejudice is jumping into the action pool? That's what The Hollywood Reporter indicates: Director Joe Wright, best known for Oscar-friendly drama, is about to sign on the dotted line to helm Hanna, which THR describes as a La Femme Nikita style project: "The story centers on a 14-year-old Eastern European girl who has been raised by her father to be a cold-blooded killing machine. She connects with a French family, forms a friendship with their daughter and goes through the pangs of adolescence. When the girl is dragged back to her father's world and discovers that she was bred as a killing machine in a CIA prison camp, she must fight her way to a free life."

Sounds to me like a fairly conventional, rather familiar tale -- so then why were Danny Boyle and Alfonso Cuaron both (briefly) attached to the project? I have to assume that there's more on the page than just another action flick to draw in directors like that. And to those who may doubt that Wright can handle high-end action, I recommend you take another look at the most talked-about sequence from Atonement (a long and staggeringly cool tracking shot of a horrific battlefield) and think about how that would look in a "fun" action film.

Also, I bet they change the title.

B-Side Teams With Sundance: Genius!

Filed under: Festival Reports



To anyone who's ever attended Slamdance, AFI Fest, Silverdocs, Fantastic Fest, or any number of great film festivals, B-Side is a gift from the heavens. It's a remarkably user-friendly website that creates scheduling and ticketing services for well over 200 festivals around the world ... and now they're headed to Park City. This is a big leap for the B-Side boys, not because they haven't dealt with large and excellent fests before, but c'mon ... this is Sundance. She's a biggie.

To get a taste of what B-Side is like, check out the set-up they put together for the Santa Fe Film Festival. Now imagine that for Sundance! Congrats to our friends at B-Side, because I'm sure they've yearned to take on Sundance for a while now. Based on my rather thorough experiences with both Sundance and B-Side, this marriage makes me very happy indeed. If ever there was a festival that could benefit from B-Side's 'Festival Genius' application, it's Sundance. Next stop, Toronto!

Read more on the new partnership right here.

Rejoice! 'Stomp the Yard 2' is Shooting Right Now!

Filed under: Music & Musicals, Remakes and Sequels

This is what we call a slow news day. Even for a Sunday. But then a casual glance through The Hollywood Reporter yielded some huge sequel news! The sequel to Stomp the Yard has begun shooting in Atlanta! Since I don't think I've ever seen the first Stomp the Yard, I'm going to assume it's the tragic story of an ill-fated cement technician who is killed while paving a new schoolyard, thereby prompting the local dance team to "stomp" that beloved yard and win the fancy cheerleading trophy.

And get a load of these funky names! "Collins Pennie ... Pooch Hall, Terrence J, Lil Duval, Tika Sumpter, Kiely Alexis Williams, Keith David, rapper David Banner and music artist Teyena Taylor join "So You Think You Can Dance" runner-up Stephen "tWitch" Boss in the cast." (I love that the rapper has the plainest moniker.) Rob Hardy will direct (he probably is at this very moment, actually) from a script by the guy who penned Feel the Noise. Hey, writing feature-length rock videos is a specific skill.

The title for the upcoming sequel is (spoiler alert) Stomp the Yard 2: Homecoming. And yes, I think they're shooting for a theatrical release on this one. For more on what's sure to be the biggest sequel since Return of the King, stomp your mouse right here.

Hello, My Name is Scott and I Love the 'G.I. Joe' Blu-ray

Filed under: DVD Reviews, Home Entertainment

Back in August was when G.I. Joe: The Rise of Cobra hit the screens, and while I had no reason to expect anything but a merciless brain-pummeling from the experience, I walked out suitably impressed with the flick's popcorn-tastic mentality. I even ended my review with this: "Truth be told, the flick's action centerpiece, a crazy chase through Paris, will soon be on heavy blu-ray rotation around my house." Yes, the director who slapped me with The Mummy Returns and pummeled me with Van Helsing is now back in my good graces. (The awesomely amusing Deep Rising is always the tie-breaker for Stephen Sommers.)

You can enjoy my wonderfully insightful G.I. Joe review right here if you like, but this time out I just want to focus on the blu-ness and not the wackness: If you liked the flick, you want to own it on Blu-ray, trust me on that one. The supplemental features are basic but well-produced: there's an audio commentary with Sommers and producer Bob Ducsay that shows a good deal of enthusiasm and preparation on their part, plus on disc 2 you'll find a pair of rather slick and thorough featurettes: the 30-minute The Big Bang Theory is the "catch-all" behind-the-scenes piece that covers a lot of bases, and Next-Gen Action (about 20 minutes) focuses more intently on the special effects and production design.

I've Had It With the MF'in MPAA and Their MF'in Hypocrisy!!

Filed under: Fan Rant

Let's say you're watching a horror film in which six or eight people get skewered in relatively explicit fashion. By all accounts, that film should be Rated R: Adults only, unless a parent decides different. That's an example of how a ratings board does good work: They see that a flick called "Saw" has "graphic, extreme violence" and they decide that their 12-year-old can live without that sort of stuff for a few more years. And obviously the same holds true for rampant profanity, nudity, sexual situations, or drug abuse. Some stuff simply isn't meant for kids, period.

So obviously I have no problem with a "ratings board," in theory, but in practice? Sheesh. The one we currently have (the MPAA) is so broken, so twisted, and so confused that I'd like to call for a complete do-over. Fire the whole staff, raze the whole damn building if you have to, and start over from scratch. Because I say the MPAA is either A) monumentally clueless, B) stunningly corrupt, or C) a combination of both. Hell, this is a group that created an "adults only" rating, and then did all it could to make it into the new "porno" label. I can hear your eye-rollings already, and I can't really blame you: Serious film fans have been complaining about the MPAA's blatant hypocrisy for years now, and if you thought that Kirby Dick's ballsy documentary This Film is Not Yet Rated was going to usher in a new era for the MPAA ... sorry to say you were dead wrong.

So What Do You Think the 10 Best Pic Nominees Will Be?

Filed under: Awards

This year's Oscar ceremony will mark the first time we're looking at ten (count 'em, TEN!) different Best Picture nominees -- and while I firmly believe this is a bad move, it also stands as a case of terrible timing. We're still feeling the "quality pinch" that arose with the arrival of the most recent WGA strike, which means ... heck, 2009 might have had a tough time doling out FIVE legitimate Best Pic noms, let alone double that amount.

But ten it shall be, and now that we're only a few weeks away from the beginning of the Awards Bait movie season, I thought it would be fun to play a simple guessing game. More specifically, which films do you think will be nominated for Best Picture? True, there are still several films that none of us have seen yet, but you don't need a crystal ball to assume that a few December titles will earn a nomination. (Come to think of it, this particular December looks remarkably skimpy on Oscar Bait.)

Based only on the "industry buzz," I'm confident in assuming that Best Picture nominations will go to films like The Road, A Serious Man, Nine, Up in the Air, and The Lovely Bones ... but where do we look after those ones? The Hurt Locker? Precious? Invictus? Moon? (I wish.) Feel free to chime in with your predictions below, and feel free to check out this Film.com piece that asks the same questions.
 
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