What are your plans for the weekend? Here in the U.S., most folks are enjoying a long holiday weekend, filled with food, friends, and fireworks -- and maybe a free concert and a movie or two. On a personal note, with local temperatures soaring above 100 degrees for the past week or so, I'm staying inside and out of the weather as much as I can. And so I was pleased to find Jazz on a Summer's Day is available for free online viewing, courtesy of our friends at SnagFilms.

Directed by Aram Avakian and Bert Stern, the film documents the 1958 Newport Jazz Festival and the America's Cup sailing tournament, two events which go together like a cool drink on a hot day. Performers at the festival include Thelonius Monk, Gerry Mulligan, Anita O'Day (pictured), Dinah Washington, Chuck Berry, Louis Armstrong, and Mahalia Jackson. My knowledge of jazz is extremely limited, so all I can add to that list is that I very much enjoyed listening to all the musicians. As much as anything, I got a kick out of the spectator footage -- nicely dressed folks, a number in business suits (!), stylish sunglasses, bright colors, the whole nine yards -- and the dulcet-toned, super low-key announcer.

Frankly, this is a good doc for watching, and listening to, in the background. We've embedded it after the jump. More information is available at SnagFilms.

After the jump: Watch Jazz on a Summer's Day!

I now take back any defense I gave Katherine Heigl for her comments about Knocked Up. I was already on my way there when I heard about The Ugly Truth and its premise where a smart and successful woman turns to a chauvinist to learn about nabbing her beau. I hit the brink with the second trailer where she actually tries to deep throat a hot dog and stick out her chest to get the guy, while he says every pervish thing he can think of. And now ... now there's vibrating underwear.

In the clip after the jump, so appropriately coming to us from Coming Soon, Heigl's character gets a little vibrating gift as she gets ready for a date. She decides to put on the panty rocket and then gets whisked off on a half-date/half-business meeting. At no time does she decide to excuse herself to take off these things, and in fact, gets into some hot trouble when the remote falls into the hands of a kid at the next table. Heigl channels When Harry Met Sally, poorly I might add, and Gerard Butler watches in amusement.

Heigl... How any woman who notes chauvinism in a Judd Apatow movie can then take on this schlock is beyond my comprehension. Furthermore, take away Butler's charm and put ... hmm ... let's say Steve Buscemi into the role -- is it still all romantically funny, or does it get downright creepy? Actually, now that would be a movie -- The Ugly Truth, where a romcom tries to deliver this bull pucky to audiences without a dapper leading man to make it palatable.

Michael Mann's latest crime opus has already hit theaters, and like most of his devoted fans, I was there opening day. Granted, my desire to be first in line for Public Enemies mainly had to do with my preoccupation with pretty boys in nice suits, but trust me, there were some loftier ideals at work. One of the reasons I love Mann's films is that he finds new ways to tell relatively traditional stories...which brings me to Miami Vice. Vice definitely wasn't one of Mann's most popular films, but I always defend this flick, and here's why: growing up, I watched Miami Vice, and I might have loved it, but even at the tender age of 10 I knew it was kind of silly. I had always wondered what the series would have looked like if the show had a little less cheap humor about Crockett and his alligator and a little more 'dignity' -- fast forward to 2006, and that's exactly what Mann did.

Gone were the over the top white suits and wise cracks (I mean, thank god I didn't have to watch Colin Farrell yucking it up with 'Elvis'), and instead, Mann replaced them with a darker, meaner, and (dare I say it?) more realistic Miami Vice. But just because Mann brought Vice into the present, didn't mean that those traditional touches were gone, and the teaser was proof. That first trailer had it all -- the music perfectly timed with every shotgun pump, speedboats, helicopters, guns and hot girls...and you can't get more Miami Vice than that.

After the jump; the teaser and a reminder of Vice on the small screen..

Did you watch the New Moon trailer and wonder if wolfy Jacob would've been any more scary if he could morph into a little guinea pig?

You may have noticed that little hairy beasts are fighting their way to the big screen later this month with G-Force. To help kick off the film, which opens on July 24, Electric Spoofaloo has been holding a contest. Viewers pitch ideas for spoof trailers featuring the little hairy beasts, they're voted on, and then the site makes the pitches come to life.

There's a faux Harry Potter that isn't all that funny, but Spoofaloo really hits the nail on the head with their take on the New Moon trailer (which you can see after the jump). It works so well that it seems like Stephanie Meyer's world was just destined for guineadom. There's the dramatic kiss, and then Bella's cataclysmic paper cut that sends her whole life into upheaval. (Whoever knew that paper could be so destructive? Good thing no one ever got one at school during the few years Jasper went to Forks High.)

From beginning to end, it's all there, right down to a ridiculously beefy guy filling in for Taylor Lautner and exploding into a guinea pig -- one that looks just as frightening as that big, fluffy wolf. How sad is it when your menacing animal can be easily replaced by a hand-held pet? I mean, I have a tendency to think lots of scary animals look cute, but that's the least menacing movie wolf I've ever seen!

Something funny happened at our local press screening for The Hurt Locker this week, and not in the film itself, which is decidedly not funny. The trailer attached to the film was for Sorority Row (pictured), a dumb-looking I Know What You Did Last Summer knock-off in which college students are harassed by a person they thought they'd killed. It was incongruous to see a cheesy horror flick advertised in front of The Hurt Locker, a complex action drama that many critics consider one of the year's best films. It was like screening There Will Be Blood with a trailer for Land of the Lost in front of it.

The reason for it, of course, is that The Hurt Locker and Sorority Row both have the same distributor, Summit Entertainment. When you go to the movies, some of the trailers are just whatever's in rotation, but one or two are usually from the same studio as the film you're watching, sent out with prints of that film with explicit instructions that they be attached. Big distributors (Warner Bros., 20th Century Fox, etc.) usually have plenty of upcoming products and can choose trailers that target the same general demographic as the movie they're paired with. But Summit is small -- all they had to choose from was Sorority Row and The Twilight Saga: New Moon. (A Sorority Row trailer in front of New Moon -- now that would make sense.)

So I understand why this particular trailer came with this movie. But it was still a funny juxtaposition. I can't imagine anyone wanting to see both Sorority Row AND The Hurt Locker. Has anyone else ever noticed this phenomenon? If you've seen The Hurt Locker in theaters, was this trailer in front of it, or was it just for the critics' benefit? What other strange combinations of trailers and features have you noticed?

After the jump, the Sorority Row trailer, so you'll know what I'm talking about.

[By: Erik Davis, reprinted from 11/3/2007]

Part of my job involves watching every single movie trailer that comes down the pipeline, and, in most cases, writing about it. Thus, it pains me to keep hearing the same old voice-over lines from the guy with the deep voice. A comedian friend of mine named Jeff Sussman once did a bit on the movie trailer voice-over guy. In it, he speculated what it would be like to live with the movie trailer voice-over guy. Do all of his dinner conversations begin with "In a world ... where chicken cutlets and mashed potatoes come together ..."? It was a pretty funny routine, and Jeff had the voice down good. Unfortunately we lost Don LaFontaine (the legendary voice-over guy) recently, but there are still a host of guys with deep voices there to tease us at every turn with the same overly used lines again and again.

Well I'd like to take a stand today! No more of this! The following lines have been used in countless movie trailers, and I feel it's about time we officially retire them. From this day forward, I urge all of you to take a stand and help us ban the following lines of dialogue from showing up in future trailers. Think about the children, people! This one is for them ...

Ack! Where has this movie been all my life? St. Trinian's is the tall tale of a bevy of badass school girls who plot to steal the famous Vermeer painting "Girl with a Pearl Earring" so they can save their bankrupt school. Meanwhile, the Minister of Education, played by Colin Firth, is determined to make St. Trinian's over into a real school for young ladies. His former paramour is the headmistress Miss Fritton, played by Rupert Everett in drag. (Everett also exec produces.) And Russell Brand is, of course, a mad fellow in a bowler hat named Flash who enables the girls' shenanigans, like boozing and gambling. I'm digging the mischievous twins and the overall take no prisoners 'tude, but not so much the sexy high schoolers in stockings bit with model Lily Cole. Bond Girl Gemma Arterton stars as the lead gal Kelly, and Talulah Riley from The Boat That Rocked plays newcomer Annabelle Fritton.

St. Trinian's, which is based on the comics by Ronald Searle, has been out in the UK since 2007. There were also five previous iterations of St. Trinian's movies: The Belles of St. Trinian's, Blue Murder at St. Trinian's, The Great St. Trinian's Train Robbery, The Pure Hell of St. Trinian's, and The Wildcats of St. Trinian's.

A sequel, St Trinian's: The Legend of Fritton's Gold, is already in pre-production. St. Trinian's is slated to hit North American shores August 28th.

Check out the official website for the high-res trailer, a music video from Girls Aloud, and other goodies. A trailer from YouTube.com is after the jump.

(Thanks to Anne Thompson for the lead!)

The title may be generic, but the cast is not. Vince Vaughn, Jon Favreau, Jason Bateman, and Faizon Love accompany their significant others -- Malin Akerman, Kristen Davis, Kristen Bell, and Tasha Smith -- on a vacation to paradise in Couples Retreat. There is a catch, however: intensive sessions of relationship therapy are mandatory and counselor Jean Reno doesn't take "no" for an answer. The first trailer is up at the Fruit Factory (AKA Apple.)

While there's a degree of over-familiarity with the basic premise, the trailer is very promising, edging into the naughty side of PG-13. (According to Erik Davis' post on the movie last year, that's the rating they're aiming for.) Bateman and Bell make for a good, edgy couple of Type A-personalities on the brink on break-up who ask three other couples to come along on their retreat to save money. Old friends Vaughn and Favreau have great chemistry, of course, and have worked with Bateman before. I'm not a huge fan of Akerman or Davis -- they're both lovely and have bright personalities but not a lot of comic snap. Seeing Reno as a buff instructor makes me giggle. Favreau wrote the script, based on an idea by Vaughn, and another old pal, Peter Billingsley, makes his directorial debut.

Couples Retreat is heading for release on October 9, a crowded date on the release schedule: The Informant (drama), Night of the Demons (horror), Whip It (comedy), and Zombieland (horror comedy) are also due out that day. Does the concept or the cast -- or the trailer -- grab you?